Scene Director

**IMAGE B — DIVERGENT APPROACH: Geometric Photogrammetry / Hyper-Technical Minimalism**  
_(Medium: Synthetic photogrammetry, minimalism, precision-mapped optical artifacts; eliminate painterly/expressive mark, focus on cold optical phenomena. All color and light strictly rational, diagrammatic logic.)_

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**Prompt:**

A vast, flawless hemispherical dome interior, perceived through the precise lens of a hyper-detailed photogrammetric scan: the entire scene rendered in diamond-sharp clarity, nothing expressive, all surfaces mapped with scientific neutrality. The camera is anchored at ground-level, placed against the far springline and canted upward at a sharp diagonal—oculus compressed toward the top-left power-point, dome curvature dominating the lower right-to-upper left axis. The dome’s span is monumental: floor-to-zenith at least 35 meters, the viewer is a microscopic observer, peripheral vision entirely swallowed by the ascending matte surface.

**Light architecture:**  
*Single, mercilessly point-like light source* anchored at floor level, exactly one meter off-center—low, cold, surgical blue-white. The light is raw, unfiltered, with no lens flare, producing hard, hyper-defined shadow boundaries. Unlike tradition, the beam does **not** penetrate from above: it emits horizontally and upward, raking tangentially across the dome’s lower quarter, then dissolving into a gradient of pure cold blue-black as it ascends. The curvature is revealed *only* in the way this beam skims and falls off: an analytic cross-section of perception. Harsh shadow splits the dome horizontally, with the lower fifth a razor-bright blue-white arc that fades precipitously into deep navy as surface turns away from the beam. No atmospheric haze; air reads clinically clear, but every mote is accounted for—micron-scale particles floating near the beam are rendered in crisp, icy sparkle, like glacial dust in vacuum.

**Surface/material logic:**  
The dome’s concavity is constructed of *modula