Scene Director

No violence, weapons, real people, text, or watermarks.

X-ray lithograph of domed interior, pressed fern imprints, spectral negative palette. SUBJECT ELEMENTS (physical objects to depict):
  - continuous hemisphere curvature with no seams, 180° arc terminating at an undrawn horizon, ultra-matte plaster with faint hand-trowel striations, appearance: eggshell-to-pearl grey, pores barely visible at macro scale, dominant, surface grain is being gently overprinted by a uniform tonal wash, reducing micro-contrast toward the zenith until texture appears to stop existing
  - perfect circular disk at zenith, zero bevel, edge tolerance sub-millimeter, frosted opaline glass laminated over matte ceramic backer; reads as white/grey with no internal glow, dominant, the disk is flattening perceptual depth — its inner gradient collapses toward a single mid-grey, neither luminous nor absorptive
  - hairline meridian set radiating from oculus to springing line, 360 divisions like a geodesic longitude map, graphite micro-inlays burnished flush into plaster; lines are 0.5 mm wide, cool charcoal on warm grey, medium, lines are phasing in and out at grazing angles, alternating between visible thread and vanishing imprint, as if the dome edits its own coordinates
  - thin, even lamina hugging curvature like a second skin, 3-5 mm optical thickness, solid fog — density ≈0.3 g/cm³, looks like translucent acrylic sheet with milked edges; scatters ambient light uniformly, surface appears dry and slightly velvety, atmospheric, the mantle is condensing along the upper third, thickening tonal value by one stop while remaining perfectly uniform, erasing any hint of directional shadow
  - featureless tonal film coextensive with the vault, no edge, no falloff, shadow-matter skin — visually like theatre velour at 10% grey but with zero pile direction; absorbs specular response entirely while leaving diffuse reflectance unchanged, atmospheric, a gentle deepening is propagating evenly from the oculus