Scene Director

No violence, weapons, real people, text, or watermarks.

SUBJECT ELEMENTS (physical objects to depict):
  - hemisphere curvature sweeping uninterrupted from horizon to zenith, matte lime-plaster with faint hand-brush striations, cold-lit to read as pale slate and lunar chalk, dominant, a slow-moving shadow band crawls upward toward the zenith, thickening from cool grey to midnight indigo as the beam narrows with height
  - 5m oculus rendered as a perfect black disk framed by a razor-thin annular corona, aperture void with corona reading like electric-blue plasma on polished steel rim (specular, icy), no internal glow from the disk, dominant, the corona flickers microscopically, brightening and thinning in pulses that suggest orbital interference
  - columnar light shaft, cylindrical with a slight hourglass pinch and crisp penumbra edges, air thick with sub-millimeter dust motes visible as silver-blue particulates in Rayleigh scatter, dominant, dust flares as it crosses the axial beam then dims as it diffuses, producing a visible tapering cone where intensity falls off
  - radiating and latitudinal lines mapping great circles and parallels across the dome, embedded fiber-optic filaments under the plaster skin, emitting cold cyan to luminescent blue-white along their length, medium, line intensity ramps near the corona, then melts into the plaster mid-span, making the surface appear to breathe light along geodesics
  - oval hotspot with crisp inner crescent and soft outer bloom at the anti-oculus zone, thin cryo-film sheen resembling clear ice on plaster, with micro-crystalline facets catching the beam (looks like frosted glass lacquer), medium, the hotspot sharpens into a bright almond as the beam aligns, then loosens into a starry smear as motes drift, creating a hovering sense of a light source where none exists
  - elliptical inlay tracking one meridian like a dark comet scar, ultra-black flocking akin to Vantablack velvet but with embedded microlenses that remain